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Magdalena Abakanowicz is a renowned Polish sculptor and fiber artist known for her creative use of textiles as a medium for sculptural works and outdoor installations.


Name: Marta Magdalena Abakanovic
age: 86 years
husband: Jankosmovski
date of birth: June 20, 1930
Country of Citizenship: polishing
net worth: $80 million

Death of Magdalena Abakanovic

The specific cause of her death has not been publicly disclosed in detail, but it is revealed that she died of a long illness. She died on April 20, 2017 in Warsaw, Poland.

Magdalena Abakanovic age

She was 86 years old when she died.

Magdalena Abakanovic’s career

One of Poland’s best-known artists on the international scene, Abakanowicz is known for works including Chicago’s Agora and Milwaukee’s The Good and Evil Birds. From 1965 to 1990, he was a professor at the Poznan University of Fine Arts in Poland, and in 1984 he was a visiting professor at the University of California, Los Angeles.

At the age of nine, Abakanovic and her family lived through Nazi Germany’s invasion and occupation of Poland. They lived on the outskirts of Warsaw and became part of the Polish resistance during the war. She experienced first-hand the effects of war as a nurse assistant at a Warsaw hospital at the age of 14, which later influenced her artistic expression.

After the war, her family moved to Tczew, a small city near Gdańsk in northern Poland, hoping to start a new life.

Under the newly established communist regime, socialist realism was stipulated as the only artistic style accepted by Polish artists. Other art movements, such as Modernism, were officially banned and heavily censored in all Communist bloc countries, including Poland. Despite the lack of official support, Abakanowicz remained undeterred and stuck to her revolutionary artistic path.


Her university years from 1950 to 1954 coincided with a period of severe restrictions on the arts by the leaders of the Eastern Bloc. Communist countries imposed strict guidelines and restrictions through the doctrine of Socialist Realism, subordinating art to the needs and demands of the state. Realist depiction based on the national academic tradition of the 19th century was the only permitted form of artistic expression taught in Poland at that time.

As the country’s most important arts institution, the Warsaw Academy of Fine Arts came under scrutiny from the Ministry of Arts and Culture, which at the time controlled major decisions in the field.

After her college education, Abakanowicz began to create her early artwork. Due to her frequent relocation during her studies, many of her early works were lost or damaged, and only a few fine botanical paintings survive.

Between 1956 and 1959 she produced a series of large-scale gouaches, watercolors on paper and sewn linen sheets, some of her earliest known works. These works are characterized by their “biomorphic” compositions, which depict imagined plants, birds, exotic fish, shells and other organic shapes and forms.

Inglot’s book The Figurative Sculpture of Magdalena Abakanowicz describes these early works as reflecting Abakanowicz’s fascination with the natural world and its processes of growth, flowering, and germination. They capture the essence of life energy, a defining quality that would pervade her art.

Husband of Magdalena Abakanovicz

She was married to Jan Kosmowski.

Magdalena Abakanowicz Net Worth

At the time of her death, Magdalena Abakanowicz had an estimated net worth of $80 million.

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